![]() ![]() On the one hand, the amount of distortion introduced by a sub-optimal player should be negligible compared to other sources of distortion. Sometimes cover art shows up in the mini view, but not the full view.Īn option just to show details in a list would be good (or perhaps it exists but I have not clicked in the right place yet). ![]() There is also a compact view, obtained by clicking a symbol at top left, designed for playback once you have lined up the tracks you want. Some of the settings are accessed by clicking a gearwheel icon, others (such as the per-device options shown in the illustration above) by clicking an arrow to the right of the device name. There is no menu or ribbon, but by clicking around you can find what you need. The user interface is, from the point of view of a Windows user, rather quirky. There is no support for the likes of Spotify or Apple Music I guess these are not the target market because they use lossy compression. I tried it with over 50,000 tracks and it was perfectly responsive. WASAPI is the native Windows standard which enables bit-perfect output and is aimed at professional audio engineers.ĪSIO is a standard with similar features developed by Steinberg. ![]() If I play the original resolution version, I get a blue light indicating MQA Studio. In Audirvana though, the same file claims to be 24-bit352.8 kHz track. If you do not, Audirvana will process the MQA track in software.įor example, I have a 16-bit, 44.1 kHz MQA-encoded FLAC that plays in Foobar 2000 as a 1644 file, downloaded from here. If you have an MQA DAC, the decoding will take place in hardware. You can control how the DSD is converted in settings, such as the amount of gain to apply (without it, DSD files will sound quiet). If you do not, Audirvana will convert to hi-res PCM and it still sounds good. However the product is already a capable player with the following key features. ![]()
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